Halls of shapes and faces

So Sam had realized that everyone in the whole worlds truth was correct, irrelevant of what others said of it and even those criticisms were correct and thus Sam thought he had found an incredible place.

Because the world was made to be a place of things that could be and he believed it all to be, but their had to be some battle for it he thought.

He was however in a delusional state over this concept and rather difficult to deal with because he kept thinking things he thought were always right, until he realized it was better to remain in the reality of what could be seen, touched, heard, tasted and felt when interacting with people. So that he did not believe things that he could not "see" outside solely his mind.

It is wiser to remain in the real and visible, because that real and visible is the guide to the way there.

What is interesting with this, is that he then used the adaptation of what he saw to travel about other worlds, he found this idea because he wanted to draw a picture that was in a different art style and someone suggested the uncanny valley. So he tried going to an uncanny valley.

He seeked a way to the dreams he had begun to have, in the place of all right ideas.

Given that he had taken to the values he had created prior to this adventure.

His music became more apocalyptic, songs like:

The End of All Things by Panic! At the Disco

The way he entered this uncanny valley of worlds, is rather simple to describe in detail because people have been aware of its tools for a very long time. Thus I will describe those tools here, to better give context to this manner of world travel.

It is here that I add a secret not known, that the matters are completed and thus it is in the alteration that they emerge from the full of it.

However, their  is a problem with this  means that may be encountered and may be difficult to unravel as a problem if you don't face the entirety of the knowledge available. It is also mostly only relevant to the context that everyone is right anyways.

The problem of the hall of faces, is that it isn't the full of it.

1

The first key to world travel is the concept called Paradolia, because paradolia permits someone to see things as something else either because you can't tell which it is, or in more common cases you can but it also looks like other things. Below is a popular and conveniently related example:

Is this a rabbit or a duck?

That is what paradolia is, it can be used with almost anything, to change the appearance of something to something else and is generally an interesting concept, usually reserved to only clouds and drawings like this. Yet, if you try to find the fly and the fish in this drawing, or find other things in what you usually see as what they probably are, it can be an interesting tool for adventure!

This is what I mean of paradolia, it permits the manifestation of the desired thing, through itself presence in paradolia. If the tree looks like a flower, then the flower tree can be made through the exaggeration of those paradolic shapes.

You say but it is not, it is a tree. I say yes it is a tree, but with some addition it has become as the flower beneath it.

2

The second key to this ability of world travel is coincidence ( in this case not for magic ) because coincidence creates an unpredictability but also effective factor to the world and brings about a degree of realism that is unexpected. The best example I probably have of this phenomenon, which is used in tandem with paradolia, is the dragon egg.

The egg is possible because it isn't that and could or doesn't have to be furthered.

As when I  once after discovering paradolia, i was outside and a soccer  ball that had been over inflated rolled up to me, due to its over inflation it literally appeared as an egg. Thus I assumed it was an dragon and brought it to my room to hatch, once hatched nothing happened instantly, but the next day, it was incredibly windy and the vents in the building i lived in were broken and releasing frigid air.

This coicedence can be controlled objectively, it was just natural in that circumstance, the reality you encounter on the travels can be shown possible by the encounter itself in the natural form of it that hasn't been made manifest in completion.

Because the egg had been an air dragon egg. The coincidence had made the experience more realistic as i simply had to add the mental thought between the act and coincidence to create the reality of it.

3

The third key that is part of world travel is a little more difficult for some people to comprehend, because it is literally opinion and creating new ones. As such it isn't explicitly about deciding whether it is true or not but rather more of an agnostic to pletoric approach in which the opinion is taken as is but isn't always the case!

It can be said the same thing of coincidence, paradolia and opinion, each can create its materials stated in the reality.

For example, if I wanted to go to a place where their was no God, I would simply believe their is no God, rather then begging people to convince me God doesn't exist. Their is  also no reason you can't just stick with that one, because you may just enjoy cosmic voids with no God.

That's it, the void is a material of the godless realm to some, so it is viewed as such in the opinion or meaning.

However, it can be made deeper by using those initial beliefs as inspires of other beliefs that result from the initial base beliefs. 

You can seek out those visions of other believers by looking for what they describe.

For example, in the view of Science their is no such thing as magic and in theism their is such thing as magic, combining them together you have something along the lines of nothing effects everything ( as a basis of magic ) and this concept is unique to its place.

If we look then at coincedence we can surely see that nothing effected that egg to make it appear, but that you could leave it that way or have it be made clear.

It will thus be a unique worldview and thus world of exploration.

Finally, this is not required but encouraged simply out of fun and it is recommended to keep your base reality ( one that you are comfortable and knowledgeable in ) so as to avoid the loss of reality mentioned prior. I usually use science when I don't know the objective fact of something.

That initial sign of its ability follows all the way to the science of it, which is found in the study of it.

Also, you cannot fly even if you believe you can fly assuming you did nothing to make it possible. You can parachute, take a plane or realize that we are all hovering above the floor anyways, but none the less the "fly" concept does require some form of materiality or imaginary effect to exist as anything other then form.

Because you can see that birds can fly with wings, and flying squirrels with parachutes, so it is clear that man with these things can too.

4

Things like hallucinations, can be used to add another layer of depth if you know how to use those things, but this is a topic for another time.

I do wonder...

As we will move on to the problem I mentioned and simply solve it as quickly as possible, to return to the story:

The problem of the hall of faces

At some point now or later you may have noticed that you can paradolia pretty much anything into a face and then you can start questioning whether its alive and feels pain and then freak out because that a horrible thought. 

To prevent this consequence of uncertainty, it is best to acknowledge the uncertain and realize that because you can't tell, its probably supposed to be any of the possibilities. Why?

That is the question the next part of this blog, but in simplicity, if the sky can be made a paradolia of just water instead of air then it can't only be a face,.thus it can probably be anything else that its perceived including just the sky.

These views are not the same, one is not the other but either perspective exists.

It's merely  a matter of  inherent perspective relating to which way you see something. It isn't necessarily the hall of faces, unless for some reason you want it to be, like a certain someone who is on his way...

If the fly thinks the window is the sky because it looks like the sky and it is there somewhat, he never finds the door, to where that place actually is and finds not other answers, such as another who is coming sooner...